Presented by
Mao Fujita ©DR
VFCO / TAKÁCS-NAGY / FUJITA
VFCO – TAKÁCS-NAGY – FUJITA – DAN – NIKOLOVSKA – GLUECKERT – PETRENKO – MÜNCHENER BACH-CHOR / BEETHOVEN
Mao Fujita take over Martha Argerich for Beethoven evening with his Second Piano Concerto, performed alongside Gábor Tákacs-Nagy and the Verbier Festival Chamber Orchestra. The programme also features the Ninth Symphony with esteemed soloists and the Münchener Bach-Chor.
Programme
LUDWIG VAN BEETHOVEN (1770-1827)
Piano Concerto No. 2 in B-flat major Op. 19
Interval
LUDWIG VAN BEETHOVEN (1770-1827)
Symphony No. 9 in D minor Op. 125
Distribution
- VERBIER FESTIVAL CHAMBER ORCHESTRA
- Gábor Takács-Nagy conductor
- Mao Fujita piano
- Iulia Maria Dan soprano
- Ema Nikolovska mezzo-soprano
- AJ Glueckert tenor
- Mikhail Petrenko bass
- Münchener Bach-Chor ( Artistic preparation : Johanna Soller )
Written between 1795 and 1800, Beethoven’s First Piano Concerto displays the audible influence of Mozart, but also Beethoven’s own bold originality such as the new scale of its martial-sounding first movement’s orchestral introduction. The Largo sees clarinet colour play a starring role, before a vivacious rondo finale. His groundbreaking innovations were at their zenith, though, for his ‘Choral’ Ninth Symphony of 1824. At over an hour in length, its size was unprecedented, as was its use of a chorus and vocal soloists. Equally revolutionary was its epic dramatic scale: mysterious, elemental opening bars, from which explode a shattering fanfare. Then, following an energetic Scherzo and Trio, and a sublime Adagio, a return to the very beginning’s darkness – before its banishment by the arrival of the famous jubilant theme, and lyrics by Beethoven and Friedrich Schiller urging us to reject those opening sounds and instead embrace joy.
Broadcast live on
Pre-concert
