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Après des études d’arts plastiques et de cinéma, Arthur Nauzyciel entre en 1987 à l’école du Théâtre national de Chaillot dirigée par Antoine Vitez.
Il crée ses premières mises en scène en 1999.
Il travaille régulièrement aux États-Unis et également pour la danse et l’opéra. Il dirige le CDN d’Orléans de 2007 à 2016 et est directeur du Théâtre National de Bretagne depuis 2017.

Jian Wang began to study the cello with his father when he was four. While a student at the Shanghai Conservatoire, he was featured in the celebrated documentary film From Mao to Mozart: Isaac Stern in China. In 1981, at 12 years old, Jian made his professional debut playing the Saint Saens cello concerto with the Shanghai Symphony Orchestra at the Shanghai Music Hall. In 1985, with Mr Stern’s encouragement, he entered the Yale School of Music under a special programme where he studied with the renowned cellist Aldo Parisot.

As a soloist, Jian Wang has performed with many of the worlds leading orchestras, including Berlin Philharmonic, Royal Concertgebouw orchestra, New York and Los Angeles Philharmonic, Cleveland and Philadelphia orchestras, Chicago, Boston and Detroit Symphonies, , London Symphony, the Halle, the BBC orchestras, Zurich Tonhalle, Gothenburg Symphony, Stockholm Philharmonic, Santa Cecilia, La Scala, Mahler Chamber, Orchestre National de France, Orchestre de Paris, Czech Philhamonic, and NHK Symphony. These concerts have been with many of the greatest conductors, such as Abbado, Sawallisch, Jarvi, Chailly, Dutoit, Eschenbach, Chung, Gilbert and Gustavo Dudamel. Jian Wang also collaborates frequently with all the major Chinese Orchestras, including Shanghai Symphony, China Philharmonic, China NCPA orchestra, China National orchestra, Guangzhou, Shenzhen symphony orchestras and Hangzhou Philharmonic. These concerts have been with one of his closest musical partners Long Yu, as well as Muhai Tang, Chen Zuo Huang, Lu Jia, Zhang Guo Yong, Yang Yang, Xu Zhong, Lin Da Ye, Jing Huan and Zhang Jie Ming. Jian Wang was appointed as the first ever Artist in Residence by the China National Center for Performing Arts, also by the Shanghai Symphony orchestra. As a jury member, Jian Wang has judged many of the most important competitions, including the Tchaikovsky cello competition, the Queen Elizabeth cello competition, the Weiniawsky Violin Competition, the Isaac Stern violin competition and the Nielsen violin competition. Jian Wang now serves as the International Chair of the Cello for the Royal Birmingham Conservatoire. He also serves as a member of Artistic committee for the Shanghai Symphony and Hangzhou Philharmonic. Since 2022, Jian Wang is a cello professor at the Shanghai Conservatory.

Jian Wang has made many recordings, his latest releases being the Elgar Cello Concerto with the Sydney Symphony and Vladimir Ashkenazy. He has also recorded an album of short pieces for Cello and Guitar titled Reverie, the complete Bach Cello Suites and a Baroque Album with the Camerata Salzburg, Brahms Double Concerto with the Berlin Philharmonic Orchestra, Claudio Abbado and Gil Shaham, the Haydn Concerti with the Gulbenkian Orchestra under Muhai Tang, Messiaen’s Quartet for the End of Time (with Myung-Whun Chung, Gil Shaham and Paul Meyer) and Brahms, Mozart and Schumann chamber music with Pires and Dumay. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam.

Jing Huan currently serves as Principal Conductor of the Guangzhou Symphony Orchestra and Music Director of the Guangzhou Symphony Youth Orchestra. She also serves on the boards of the China Musicians Association and Jeunesses Musicales International (JMI). In August 2022, she participated in the 2022 National Outstanding Young Artists (Conductors) Showcase organized by the Publicity Department of the Communist Party of China, China Federation of Literary and Art Circles and the China Musicians Association. On that occasion, she was selected among the “Top Ten Young Conductors of China.”

A graduate of Beijing’s Central Conservatory of Music who received her training with Professor Xu Xin, she obtained her Master’s Degree in Orchestral Conducting in 2009 at the University of Cincinnati College-Conservatory of Music (CCM) under the tutelage of Mark Gibson, where she was awarded a full scholarship to continue her doctoral studies, concurrently serving as the Conductor Assistant of the Cincinnati Symphony Orchestra (CSO), including the CSO’s May Festival (2011–2013). During the same period, she was also Assistant Conductor of the Cincinnati Symphony Youth Orchestra and Principal Guest Conductor of the Artaria Chamber Orchestra.

In June 2012, Jing Huan was one of two prizewinners at the inaugural Li Delun National Conducting Competition held in Qingdao, China. In the same year, she participated in the Campos do Jordão International Festival in São Paulo, where her outstanding performance led to an invitation by Maestra Marin Alsop to serve as Assistant Conductor of the São Paulo State Symphony’s 2013 music season. That same year, Jing Huan and her work with the Cincinnati Symphony Orchestra attracted the attention of Maestro Long Yu, which led to her appointment at the GSO.

In December 2013, Jing Huan made her critically-acclaimed debut concert as the Resident Conductor of the Guangzhou Symphony Orchestra, leading soloist Maxim Vengerov in Tchaikovsky’s Violin Concerto. Since then, she has received invitations and collaborated with such orchestras as the China Philharmonic, Shanghai Symphony, Shenzhen Symphony, Hangzhou Philharmonic, Guiyang Symphony, Ningbo Symphony, Xi’an Symphony, Qingdao Symphony, Sichuan Symphony, Shaanxi Symphony, Xinjiang Symphony, Kunming Nie Er Symphony, Shenyang Symphony, Macao Orchestra,Macao Chinese Orchestra and Tianjin Julliard Symphony during their music seasons, garnering much praise. She has collaborated with such renowned soloists as Yo-Yo Ma, Lang Lang, Rudolf Buchbinder, Vadim Repin, Gil Shaham, Midori, Robert Blocker, Noah Bendix-Balgley, Jian Wang, Lü Siqing, Li-Wei Qin, Zhang Haochen, Chen Sa, Warren Mok, Liao Changyong, Liang Ning and Huang Ying.

In 2014, Jing Huan was appointed as Music Director of the Guangzhou Symphony Youth Orchestra (GSYO). Under her leadership, the orchestra charted remarkable progress and made their first tour to Europe, appearing at the Berlin Philharmonie under the auspices of Young Euro Classic in August 2015. Jing Huan’s achievements at the helm of the GSYO attracted the attention of Jeunesses Musicales International, and she was elected to serve on JMI’s Board in July 2016.

In October 2016, Jing Huan presented a concert entitled “In Love with Shakespeare” at the Beijing Music Festival to commemorate the 400th anniversary of Shakespeare’s death. In January 2017, she was appointed Secretary-General of the Artistic Committee of Youth Music Culture Guangdong (YMCG) and conducted its critically-acclaimed opening concert.

In May 2017, Jing Huan conducted the Guangzhou Symphony Orchestra on their European tour to Italy and the United Kingdom. Three months later, she led the GSYO on their Asia tour to Sydney, Jakarta and Singapore for cultural exchange. In late July 2018, she returned with the GSYO to Europe, performing in Lyon (France), Prague (Czech Republic) and the Musica Riva Festival, Lago di Garda (Italy). In July 2019, she led the GSYO on tour to Japan, performing at Tokyo’s Suntory Hall and the Fukuoka Symphony Hall, the latter as part of a cultural exchange commemorating the 40th anniversary of the sister city relationship between Guangzhou and Fukuoka.

Né à Timișoara (Roumanie occidentale) en 1988 dans une famille de musiciens classiques, Dinu Mihailescu est un pianiste roumain qui vit en Suisse depuis 2009. Il a étudié à la Haute école de musique (HEM) de Genève. En 2021, il a obtenu son doctorat en musique à l’Université de l’Ouest à Timișoara. Dinu s’est produit en tant que soliste avec les principaux orchestres de Roumanie ainsi qu’avec l’Orchestre de la HEM de Genève et l’Orchestre du Festival de Gijón-Candás. Il a participé à divers concours et festivals internationaux tels que le Millennium 30 Piano Festival de Gijón (Espagne), Puplinge Classique (Suisse), Les Estivales de Megève (France) et le Concours international de piano de Genève (2012).

En Suisse, il s’est produit dans des lieux importants tels que le Forum Yehudi-Menuhin à Berne, le Studio Ansermet de la Radio et Télévision Suisse (Genève) et la Salle Franz Liszt du Conservatoire de Musique, entre autres. En 2020, il fait ses débuts au Victoria Hall de Genève dans un concert pour un duo à deux pianos appelé OXY MORE, avec le pianiste suisse Philippe Boaron. Dinu Mihailescu a reçu de nombreux prix, notamment le 2e prix du Concours international de piano Béla Bartók (Hongrie, 2017), le 2e prix du Concours international de piano de Nice (France, 2016) et le Prix d’excellence du Rotary Club pour sa participation à l’art et à la culture en Roumanie (Timișoara, 2018). Depuis 2017, Dinu enseigne le piano au Conservatoire populaire de musique, danse et théâtre de Genève (Suisse) et à l’École de musique de Lausanne, et se consacre de plus en plus au mélange des répertoires pianistiques classiques, modernes et contemporains. À cette fin, ses projets les plus récents comprennent un enregistrement audio-vidéo de la musique pour piano de Max Richter complété par des œuvres pour piano de l’ère romantique (Fr. Schubert, F. Chopin et R. Schumann).

Theresa Leonard est une professionnelle de l’audio très recherchée, qui possède une grande expertise dans tous les aspects de la production musicale, y compris la post-production et la diffusion audio. Son impressionnant portfolio comprend des centaines de projets d’enregistrement de haut niveau, primés et nominés, avec un large éventail d’artistes internationaux tels que le Gryphon Trio, le St Lawrence String Quartet, le Dover String Quartet, le Pacific Opera Victoria, l’Orchestre symphonique de Victoria et l’Orchestre du Centre national des Arts (Canada). T. Leonard a reçu une reconnaissance internationale pour son engagement en faveur de l’excellence dans la formation et la recherche dans le domaine de l’audio, dont elle a fait preuve lorsqu’elle était directrice de l’audio au Banff Centre for Arts and Creativity. Grâce à son leadership, elle a offert des possibilités de formation inégalées à plusieurs générations d’ingénieurs du son, tant par le biais du programme de mentorat de Banff que par sa présidence et sa collaboration avec l’Audio Engineering Society. Elle a ainsi contribué à façonner les carrières des futurs leaders du secteur, les préparant à occuper des postes importants dans les secteurs de la technologie musicale et de l’audio. L’expertise de T. Leonard va au-delà de la production et de l’ingénierie, puisqu’elle continue d’être consultante, directrice et/ou enseignante dans plusieurs festivals de musique internationaux et institutions académiques, dont le Conservatoire royal de La Haye, le Banff Centre for Arts and Creativity et la Verbier Festival Academy. Elle est titulaire d’une maîtrise de musique en enregistrement sonore de l’Université McGill et d’une licence en musique et en éducation.

Réputé pour son travail aux côtés de Peter Jackson et Howard Shore sur la trilogie Le Seigneur des Anneaux, Mark Willsher évolue avec aisance en tant que producteur, ingénieur du son, mixeur et monteur musical superviseur. Son expertise couvre un large éventail de genres, allant du cinéma aux musiques classique, folk et hip-hop. Parmi ses projets récents figurent Lord of the Rings: War of the Rohirrim de New Line Cinema (compositeur : Stephen Gallagher), le long-métrage d’animation Ultraman Rising de Netflix (compositeur : Scot Stafford) ainsi que l’enregistrement de Adriana Mater de Kaija Saariaho avec le San Francisco Symphony (direction musicale : Esa-Pekka Salonen), qui lui a valu un Grammy® Award du Meilleur Enregistrement d’Opéra en tant qu’ingénieur du mixage.

En parallèle de son travail de production, M. Willsher s’investit activement dans l’enseignement de l’audio en tant que conférencier et professeur invité. Il a donné des conférences au Peabody Institute, au MIT et au San Francisco Conservatory of Music, et a été professeur invité en audio au Banff Centre for the Arts au Canada pendant dix-sept ans. Depuis 2023, il est professeur invité à la Verbier Festival Academy. Il fait également partie du panel d’experts en audio immersif du projet ECHO, une initiative de recherche collaborative sur les techniques d’enregistrement orchestral en 3D, soutenue par de nombreux acteurs de l’industrie.

Avec une formation en interprétation musicale et une maîtrise approfondie de tous les aspects techniques du processus d’enregistrement, Mark adopte une philosophie guidée par l’émotion : permettre aux auditeurs d’être totalement immergés dans l’expérience sonore, sans être conscients des enceintes, des microphones ou du mixage. Son studio personnel est un espace entièrement équipé pour le mixage immersif, combinant un flux de travail hybride analogique/numérique.

Depuis 2016, Mark Willsher réside à North London avec son épouse, la violoniste Cecily Ward, ainsi que leurs deux chiens d’eau portugais, Francie et Lando.

Ayanna Witter-Johnson is a multi-talented singer, songwriter, pianist and cellist. She has a phenomenal mastery for seamlessly crossing the boundaries of classical, jazz, reggae, soul and R&B, to imprint her unique musical signature with her virtuosic tap, strum and bow with her cello into her sound and vibe.

“As a second-generation Jamaican born in Britain, my music is a body of work that represents, celebrates and pays homage to my ancestral heritage, culture and identity,” explains Ayanna.

An acclaimed and celebrated performer, Ayanna has collaborated with many stellar artists, including Anoushka Shankar, Nitin Sawhney, Andrea Bocelli and Jools Holland. She has also toured extensively across the UK, Europe and the US.

After graduating with a first-class degree from Trinity Laban Conservatoire of Music and Dance and the Manhattan School of Music, Ayanna participated in the London Symphony Orchestra’s Panufnik Young Composers Scheme. Soon after, as Emerging Artist in Residence at London’s Southbank Centre, Ayanna performed as a featured artist with Courtney Pine’s Afropeans: Jazz Warriors. Later, whilst studying in the USA at New York’s Manhattan School of Music, she became the only non-American to win ‘Amateur Night Live at the legendary Apollo Theatre in Harlem, NYC.

As a composer, Ayanna has been commissioned by the London Symphony Orchestra, Güerzenich Orchester, Ligeti Quartet, Kronos Quartet and The Hip-Hop Shakespeare Company to name but a few. She was also selected as an arranger/orchestrator for the London Symphony Orchestra (Hugh Masekela, Belief) and the BBC Symphony Orchestra (Urban Classic).

Ayanna has released three EPs (‘Truthfully’, ‘Black Panther’ & ‘Ella, Reuben & Ay’) and put out her debut album ‘Road Runner’ in 2019, with its two subsequent singles’ Nothing Less’ and ‘Crossroads’, via her own independent record label (Hill and Gully Records). Ayanna has worked with producers Marc Mac (4Hero), James Yarde (Terri Walker, Jamelia, Eric Benet) and recorded with featured artists, including pianist Robert Mitchell and rapper Akala.

With her January 2021 surprise-released EP ‘Rise Up, Ayanna again combined reggae, classical, jazz and R&B to celebrate black culture and identity to uplift and inspire the next generation. The stunning collection of three tracks and videos featuring Akala on ‘Rise Up’, Cleveland Watkiss on ‘Declaration Of Rights’ and the ‘Rise Up Riddim’ have received a huge amount of critical acclaim.

Ayanna said, ‘In ‘Rise Up’, I created a song with a strong message specifically influenced by my Jamaican heritage. The starting point was a dancehall riddim that informed the main cello riff. Lyrically, I challenged myself to create something uplifting with an uplifting message, and it just flowed. I wrote the song for the next generation in the black community to remember they are the key to the future. To celebrate their culture and to be proud of it. Now is not the time to give up on your dreams. No matter how hard things seem, Rise Up, embrace our history and claim our birth rights of freedom and joy.”

Many of Ayanna’s remarkable tracks have received airplay on radio stations, including BBC Radio 1, 1Xtra, 2, 3, 4, 6, BBC Radio London, BBC Manchester, Jazz FM and Scala Radio. Her TV credits include BBC One, London Live, Channel 4 (Sing It Loud: Black and Proud), BBC Proms and a stunning performance on Later…with Jools Holland (BBC One).

Despite the challenges of 2020, Ayanna took it all in her stride and continued to create music. She performed a special Livestream for Royal Albert Hall, took part in Trinity Laban’s Virtual Orchestra and picked up an AIM Award nomination for ‘Best Live Act’. In addition, she presented two shows at Wigmore Hall, appeared on BBC Radio 3’s ‘This Classical Life’ podcast, co-wrote and featured on Anoushka Shankar’s Grammy single ‘Those Words’ from the Grammy-nominated Love Letters EP. Ayanna also collaborated with and featured on Nitin Sawhney’s stunning single ‘Movement Variation II’ taken from his acclaimed recent album ‘Immigrants’.

2021 was a stellar year for Ayanna. Collaborating with Solem Quartet as part of their Beethoven Bartok Now series, she has also had her song ‘Draw the Line’, commissioned by The Hermes Experiment, and featured on their sophomore album ‘Songs’. Ayanna also featured on the track called ‘Flow My Tears’ with John Aram, the arranger for Phil Collins. The song is a slick, modern-day reimagining of English composer John Dowland’s 400- year-old music. That year saw Ayanna return to the live stage, headlining at London’s iconic Jazz Café and Kings Place. She made additional performances supporting Nubiyan Twist on their UK tour, participating in ‘Jazz Voice’ (the opening of the London Jazz Festival) at the Royal Festival Hall and a 22-date US tour with Opera superstar Andrea Bocelli.

Now in 2022, Ayanna continues her composition work with several commissions for ensembles and orchestras, including a Royal Philharmonic Society Commission for the Philharmonia Ensemble. Her talent has seen her compose for the sold out, hit theatre production, ‘The Collaboration’, at London’s Young Vic Theatre, and compose for the renowned documentary ‘Hostile’ whilst working on her sophomore album.

With two headlined shows at London’s Purcell Rooms, and a headlined show at Wigmore Hall featuring guest artists, Ayanna’s continues to inspire with her composition ‘FAIYA!’ performed by the LSO in Trafalgar Square (conducted by Sir Simon Rattle), and collaborating on a number of live performances with ‘Solem Quartet’ of her composition ‘Island Suite’, which was originally commissioned by them as part of their ‘Beethoven Bartok Now Part IV’ series.

Venturing into new territories, Ayanna has been cast in a cameo role in the new Amazon Prime series adaptation of Neil Gaiman’s ‘Anansi Boys’, alongside greats such as Whoopi Goldberg, which airs in 2023.

Ayanna is a performer of extraordinary versatility, due to her musical prowess, mesmerising vocals, non-compromising lyrics, and ability to deftly reinterpret songs on the cello. Her must-see live shows are intimate journeys that chronicle her experience as a female artist in the 21st century.

Ayanna Witter-Johnson is the very definition of eclectic soul.

Nola Kin is the solo project of Carla Fellinger. On her four track debut EP „Fallstreak“ – out on April 22nd 2022 via Orange Peel Records – the songwriter puts her warm and husky voice and songwriting skills front and center. It’s a record that gets under your skin.

After a three-year break from playing gigs around the country, a challenging phase of reflecting and sitting with grief, both personally and creatively, she learned to face this process with the necessary patience. After taking time to regain her love and connection to music she has found a way of combining formative musical influences and lyricism to explore personal themes. The musician herself describes the record as inherently optimistic, a reconciliation with herself and her inner conflicts: «To me it feels like having taken a long and tiring hike through my own history returning to a warm home. A comforting feeling that brings me a bit closer to myself.» With the courage to embrace her own vulnerability she is taking the stage as an incredibly inventive and strong musician.