Established as a major star across both operatic and concert stages, mezzo-soprano Alice Coote is regarded as one of the great artists of our time. Coote has performed major roles on stages such as the Metropolitan Opera, Glyndebourne, Royal Opera House, Bayerische Staatsoper, Opéra de Paris, Wiener Staatsoper, LA Opera, Lyric Opera of Chicago and Salzburg Festival. Equally acclaimed on the concert stage, she has performed with orchestras including the London Symphony Orchestra, Boston Symphony Orchestra, New York Philharmonic, Chicago Symphony Orchestra, Kammerphilharmonie Bremen, The Hallé and The Concertgebouw.
The 24/25 season will see Coote perform Mahler’s Symphony No. 2 with the London Symphony Orchestra, before returning to the operatic stage in The Grand Théâtre de Luxembourg’s Così fan tutte (Dorabella); followed by two productions of Semele (Juno) for the Théâtre des Champs-Elysées and the Royal Ballet and Opera.
Engagements in the 23/24 season included Storge Jephtha at the Royal Opera House; Mahler Symphony No. 3 with Robin Ticciati and the London Philharmonic Orchestra; Beethoven Symphony No. 9 and Mass in C Minor with Dinis Sousa and the Monteverdi Choir and Orchestra; and Mahler Symphony No. 3 with Michael Tilson Thomas and the London Symphony Orchestra.
Driven by her passion for exploring and challenging gender stereotypes in characterisation, Coote is renowned for her interpretations of some of opera’s most important male and female roles. She brings that same philosophy to her work on the recital platform, an essential extension of Coote’s musical life. Committed to audience development and redefining genre barriers, last season Coote premiered her latest project, ‘The Rebellious Recital’: a song recital including works by Mahler, David Bowie, Joni Mitchell, Bach and John Lennon at the Wigmore Hall.
In 2018, she was awarded an OBE for services to music.