How to Get Here
Verbier is easily accessible by various means of transport.
Venues & Accessibility
Learn more about our performance venues and accessibility.
Where to Stay
Explore available accommodation options in Verbier.
Eat and drink
Explore a selection of places to eat or drink during your visit to Verbier.
Your experience at the Verbier Festival
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Flex pack
20% discount starting 7 concerts purchased from the Mainstage programme (excluding Carré Or).
Gift cards
Share your passion for classical music by offering a Verbier Festival gift card (valid until the end of the current edition, i.e. August 3, 2025).
Bagnard
40% discount for permanent residents of Commune de Val de Bagnes (excluding Carré Or and cat. C)
RailAway
The Verbier Festival, in partnership with RailAway, offers you 30 % off your train tickets to Verbier.
Under 35
For adults under 35 years old, for all Mainstage concerts excluding VFJO, Academy, and afternoon church concerts (excluding Carré Or).
Students
For students with student identity card available on all Mainstage concerts (excluding Carré Or, open seating concerts, and VFJO and Academy concerts).
Children
For children under 16 on all Mainstage concerts (excluding Carré Or and Academy concerts).
Combins pass
Attend all evening concerts at Salle des Combins (Carré Or) from the 17th of July 2025 to the 3rd of August 2025. Contact the Ticket Office to buy your Pass.
Ravel 150
Includes Jean-Efflam Bavouzet’s two concerts on July 17 2025.
Soloists & Ensembles
The Academy searches the world for the most promising pianists, violinists, violists, cellists and chamber music ensembles of trios and quartets.
Atelier Lyrique
The Verbier Festival Academy’s Atelier Lyrique stands out among professional training programmes by offering a unique blend of opera role and song repertoire studies.
Creative Project Development
The Creative Project Development Residency offers an opportunity to an imaginative and entrepreneurial young artist to develop and workshop an original project.
Audio Recording
The Academy’s Audio Recording Programme offers a unique opportunity to up to three emerging sound engineers to work alongside a professional recording team.
VFJO
The Verbier Festival Junior Orchestra (VFJO) is an international orchestral training programme for young musicians aged 15 to 18.
VFO
The Verbier Festival Orchestra (VFO) is a rite of passage for today’s exceptional young orchestra musicians.
Conducting
The Verbier Festival Conducting Programme offers a stepping stone to emerging artists who are on the verge of leading orchestras at the highest level.
VFCO
The Verbier Festival Chamber Orchestra is the Verbier Festival’s worldwide Ambassador.
UNLTD Summer 2025
Le Cinéma
Six bold concerts at Cinéma de Verbier — genre-blurring nights, headline artists, unexpected encounters.
La Chapelle
A candlelit sanctuary for sound. Four intimate concerts—meditative journeys, bold detours, and resonant music.
South
The Festival’s late shift lives here. Four concerts where genres clash, stories unfold, and music dares to go further.
ideaLab
Where music meets ideas. IdeaLab blends concerts and conversation to explore the ‘why’ behind the music.
KiDs Summer 2025
Concerts, creative workshops, musical fun in the open air, and a one-of-a-kind storytelling camp—VF KiDS offers magical moments for children of all ages throughout the Verbier Festival.
Storytellers in the Classroom
The Storytellers project offers valuable educational enrichment in primary schools across the canton of Valais.
Music Discovery
Each summer, VF KiDS offers fun and interactive workshops for young children at the Verbier Festival.
Zoo
Dive into a world of imagination through the eyes of VF KiDS.
Ludwig's world
Interactive exhibition for all ages.
Verbier Festival Gold
Gems from the Festival archives.
VF Collection
An ambitious heritage project that extends our artistic mission beyond the summer season
Apple Music Classical
The Verbier Festival is pleased to announce its partnership with Apple Music Classical.
Jukebox
An immersive audiovisual space for archival treasures.
Broadcast and streaming
The Verbier Festival lets music-lovers worldwide enjoy concerts live or on replay.
Our Sponsors
The Verbier Festival thanks its sponsors and partners for their valuable support.
Public Funders
The Verbier Festival thanks its public funding partners for their unwavering support.
Patrons
The Verbier Festival is grateful to its philanthropic patrons for their generous support
Donors to the Friends
The Friends is a group of music-loving donors whose support has been a cornerstone of the Festival’s rise to the top.
Legacy Giving
Help us build a sustainable future.
Founder & Director
En 1991, Martin Engstroem put the wheels in motion for what in 1994 would become the Verbier Festival & Academy.
VF Green
Aware of climate and sustainability challenges, the verbier festival works to promote sustainable practices.
Contact
Our telephone numbers, email and postal addresses, office hours and directory of personnel.
Board of Directors of the Verbier Festival
Learn more about the Verbier Festival's Board of Directors.
Your experience at the Verbier Festival
We value your feedback. Share it with us here.

Sam Harris is a British tenor studying with Peter Savidge. He is supported by the Dr Martin Schwartz scholarship. Born in Edinburgh, Sam began his musical career as a boy chorister at Winchester Cathedral, and, as a treble soloist, premiered James Macmillan’s Mouth of the Dumb for the NMC record label. He was subsequently a choral scholar at New College, Oxford. Sam’s operatic highlights include Pluto in Offenbach’s Orpheus in the Underworld at Royal College of Music (London), Fenton in Sir John In Love with British Youth Opera, and Cecco in Il Mondo Della Luna with Bampton Classical Opera. On the concert stage, highlights have included Stravinsky’s Mass with the London Symphony Orchestra, and Pärt’s Passio with Ensemble Pro Victoria. A prolific vocal arranger, his work has been featured on national television, in major national ad campaigns, and included on worldwide best-of compilations.

South Korean mezzo-soprano Hyejun Melania Kwon joined the Opera Studio NRW Germany in 2022. She is currently performing Valencienne (Merry Widow), Flora (La Traviata), Fortuna, Valletto and Famigliare 1 (L’incoronazione di poppea) at Theater Wuppertal, and Mara (Kirsas Musik) at Theater Dortmund.  She has performed in the Konzerthaus Berlin’s opera gala and has won top prizes in competition, including First prizes at the International Competition Nouvelles Étoiles in 2021, and the King’s Peak International Music Competition in 2022. Hyejun received her bachelor’s degree at Ewha Womans University in Korea. During her studies, she was alto soloist for a tour of the United States with the Ewha Chamber Choir, which made a stop at Los Angeles Disney Hall.  She went on to study with Ewa Wolak at the Hanns Eisler Musikhochschule Berlin, where she received her master’s degree and where she performed Dorabella (Cosi fan Tutte), Ruggiero (Alcina) and Ljubica (Svadba).  Hyejun has been awarded a scholarship from the Mozart Gesellschaft (Dortmund) for the upcoming year.

 

English mezzo-soprano Siân Griffiths has recently graduated from the National Opera Studio’s Young Artists programme (London), studying with John Evans and generously supported by the Nicholas John Trust. Recent performance highlights include Fanny Price in Waterperry Opera’s Touring and Festival production of Jonathan Dove’s Mansfield Park, Riccardi in Opera Rara’s concert performance of Offenbach’s La Princesse de Trébizonde, and Guest Singer in the Royal Ballet’s production of Like Water for Chocolate by Joby Talbot at the Royal Opera House, London. Recent concerts performances include alto soloist in Saint-Saëns Messe de Requiem for the Sussex House School and alto soloist in Michael Haydn’s Requiem in C minor and Mozart’s Vesperae solennes de confessore for the Wooburn Singers. In 2023, Siân will perform the roles of Cherubino in Spira Mirabilis’ upcoming production of Le nozze di Figaro and Dryad in Garsington Opera’s production of Ariadne auf Naxos.

Soprano Erin O’Rourke is a second year Master’ degree student in the Vocal Arts Department at The Juilliard School, where she studies with Amy Burton. Erin recently won the Laffont Metropolitan Opera Competition New York District and is preparing for her roles as Nella in Gianni Schicchi and Philidel in King Arthur at Juilliard. In 2022, she made her Raylynmor Opera debut as Nannetta in Falstaff, joined New Amsterdam Opera covering the lead role of Anna in Boïeldieu’s La dame blanche, and performed the title role in Monteverdi’s L’incoronazione di Poppea with the Chicago Summer Opera Company. She also performed concert works with Juilliard’s Focus Festival, which The New York Times dubbed “Broadway Meets the Avant-garde”, and made her Lincoln Center debut in the CPE Bach Concert Festival at the Bruno Walter Theater. Erin has been enjoys singing both early music and contemporary styles of music and is a champion of music by female composers and composers of colour.

American soprano Sarah Fleiss is in her fourth year at the Curtis Institute of Music. In the 2022/23 season, she sings Ginevra in Handel’s Ariodante with the Tempesta di Mare Orchestra and the Curtis Opera Theater. She recently went on a North American tour with Eric Owens and sang the world premiere of Tania Léon’s In the Fields. A lover of song, she also performed in a recital with Warren Jones and looks forward to singing the Pergolesi Stabat Mater. Past seasons include Despina in Così fan tutte, Monica in The Medium, Annio in La Clemenza di Tito, and Pamina in Die Zauberflöte. Prior to Curtis, she attended Columbia University and participated in the Juilliard-Exchange program where she narrated Stravinsky’s L’Histoire du soldat and performed around New York in musical theatre and cabaret-style performances. Sarah has received awards from the George London and Gerda Lissner Foundations, and is generously supported by the Jack Wolgin Fellowship and the Shirley Winston Rabb Scholarship.

Irish soprano Ava Dodd has been praised by critics for having a “golden voice”. She has performed in renowned opera houses and concert halls in Ireland and internationally.
Ava is a multiple prize winner. She is the recipient of the Yves Paternot Prize at Verbier Festival 2023, she was a dual prize winner in the Hans Gabor Belvedere International Singing competition 2022, the winner of the Boston District Round of the Met Opera Competition 2022 and the RDS Music Bursary Competition 2020.
Ava is delighted to be a Harewood Artist with English National Opera, where she has performed Adina in The Elixir of Love and Barbarina in The Marriage of Figaro in the 2024/25 season. As an associate artist with The Mozartists, she recently performed the role of Sandrina in Mozart’s La Finta Giardiera in Cadogan Hall, London, and returned to Oper Frankfurt in March 2025, where she played Madeleine in Le Postillon de Lonjumeau. She will also perform Lauretta and Vierte Magd in Oper Heidenheim’s double bill of Gianni Schicchi/Elektra, and looks forward to the BBC Proms 2025, where she sings Aksinya/Convict in The Lady Macbeth of the Mtsensk District. Her roles next season include Micaela in Carmen in English National Opera, and Susanna in The Marriage of Figaro with Scottish Opera.
Other operatic highlights include: Tilburina in The Critic at Wexford Opera Festival, Fennimore in Le Lac D’Argent with Opera National de Lorraine, Rosina in The Barber of Seville with English National Opera, The High Priestess in Aida with Oper Frankfurt, Ann Truelove in The Rake’s Progress at Verbier Festival and Oscar in Un Ballo in Maschera at the Stadttheater Klagenfurt, where she was the resident soloist in 2023.
In concert Ava has performed with the RTÉ Concert Orchestra, The National Symphony Orchestra, Irish Chamber Orchestra, The Nuremberg Symphony Orchestra, and The Latvian National Symphony Orchestra.
She released her Debut EP ‘GEMS’ with the RTÉ Concert Orchestra, conducted by Andrew Synnott in May 2024.

Australian cellist Benett Tsai made his debut at the age 13 and has since performed as a soloist with orchestras including the Rundfunk-Sinfonieorchester Berlin, Kammerphilharmonie Metamorphosen Berlin, Canberra Symphony Orchestra and the Australian Chamber Orchestra Academy. He has also appeared at venues including the Berlin Philharmonie, Shanghai Oriental Arts Center and City Recital Hall in Sydney. In 2020, he collaborated with Jean-Yves Thibaudet in the film, The Way Forward. A winner of numerous awards, he most recently received Third Prize and the Special Prize for the Best Haydn Cello Concerto at the 2022 Grand Prix Emanuel Feuermann, where he was the youngest participant. Benett started cello studies at age five with his uncle, Thomas Tsai. He is currently an undergraduate student of Clive Greensmith at the Colburn School in Los Angeles. His previous teachers are Susan Blake and Li-Wei Qin.

Petar Pejčić studies at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy in Leipzig with Peter Bruns. Winner of Fifth Prize at the 2022 Queen Elisabeth Competition, Petar also won the AENA Special Prize at the Pablo Casals Competition in Spain in 2020, Second Prize at the Anna Kull Competition the same year, and Third Prize at the Felix Mendelssohn Bartholdy University Competition in 2019. He has performed with orchestras including the Konzerthausorchester Berlin, the Graz Philharmonic, the Serbian Radio Symphony Orchestra, and Camerata Balcanica. Keen to broaden his musical horizons, he collaborated with the choreographer Jacopo Godani and the Dresden Frankfurt Dance Company on the project BACH OFF! Petar plays an instrument by David Tecchler (ca. 1707, Rome.

Korean cellist Claire Deokyong Kim earned her Bachelor of Music degree at New England Conservatory (NEC) and is now pursuing her master’s in the studio of Laurence Lesser. She previously studied with Myungwha Chung. In her first year of Bachelor of Music, Claire won the NEC Lower String Competition and was subsequently selected to perform with the NEC Philharmonia Orchestra under Hugh Wolff at Jordan Hall (Boston). She has won numerous competitions in Korea, including Third Prize at the ISANGYUN Competition (2022). She has also performed with orchestras including the Suwon, Gangnam, Prime, Gwangju, and Korean Symphony Orchestras. In addition to her appearances as a soloist, Claire has been a member of string quartets that have been selected as Honors Ensembles at NEC two years consecutively, the Nico String Quartet and the Tavola String Quartet.

Korean cellist Jaemin Han came to international attention in 2021 when he was awarded the Grand Prix of the George Enescu International Competition as the youngest prizewinner in the competition’s history. He won Third Prize at the Concours de Genève the same year and, in 2022, was awarded First Prize at the ISANGYUN Competition (Korea). Performance highlights in 2022/23 season include a recital at the Tongyeong International Festival, his New Zealand debut with the Auckland Philharmonia Orchestra conducted by Shi-Yeon Sung, and a tour of Korea with Orchestre Philharmonique du Luxembourg and its chief conductor Gustavo Gimeno. Jaemin has studied with Myung-Wha Chung and now attends the Korea National Institute for the Gifted in Arts, where he works with Kangho Lee and Tsuyoshi Tsutsumi. He was recipient of the 2020 Shinhan Music Award and currently holds a scholarship from the Hyundai Motor Chung Mong-Koo foundation. Jaemin plays a J. B. Vuillaume cello generously on loan from ‘the auditorium’.

Verbier Festival
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