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Petra Radulović is a member of the opera studio of the Hanover State Opera, where she has performed the roles of Barbarina, Frasquita, Johanna (Sweeney Todd), Janthe (Vampyr) and Taumännchen (Hänsel und Gretel). Next season she performs Flora (Turn of the Screw), Oberto (Alcina), Madeline (The Fall of the House of Usher) and Elf (Rusalka). Since 2018, Petra has studied at the University of Music and Performing Arts Vienna, first with Regine Köbler, and then with Rainer Trost. A prizewinner in several competitions, she has also performed in prestigious concert halls including the Schönbrunn Palace Theater and Vienna’s Altes Rathaus. She also performed three tours as Serpina in Giovanni Paisiello’s opera La serva padrona, produced by the Opera Festival Operosa. In masterclasses, Petra has worked with Peter Berne, Barbara Frittoli, Lilia Ilieva, John Norris, Neil Schicoff, Claudia Visca and Edith Wiens.
In 2020, Theresa Pilsl was awarded the prestigious Emmerich Smola Prize of the Südwestrundfunk (SWR) and also received the prize of the orchestra. She was also a prizewinner at the International Singing Competiton for Baroque Opera ‘Pietro Antonio Cesti’ in 2018 and the Bundeswettbewerb Gesang (Berlin) the same year. Her great passion lies in lieder singing. As a fellow of the Liedakademie, she is very connected to the Heidelberger Frühling. Theresa has performed recitals at the Pierre Boulez Saal Berlin, the Konzerthaus Vienna and sang Haydn’s Creation with the Akademie für Alte Musik Berlin. She completed her bachelor’s and master’s degrees at the UdK (Berlin University of the Arts) and the Hochschule für Musik Hanns Eisler Berlin. Theresa is also a graduate of the Internationale Meistersinger Akademie 2019. Parallel to singing, she studied medicine at the Charité and is a scholarship holder of the Konrad-Adenauer Foundation.
Born in Japan and raised in Canada, soprano Henna Mun is a Second year Master’s student at the Royal College of Music (RCM) in London. She studies with Sarah Tynan and Caroline Dowdle. At RCM, Henna has performed the roles of Eurydice in Orpheus in the Underworld, La Principessa in La bella dormente nel bosco, and Adina in Opera Scenes’ production of L’elisir d’amore. She has also covered the roles of Papagena (Die Zauberflöte) and the Dew Fairy (Hänsel und Gretel) and was soprano soloist for Ein Deutsches Requiem, Gloria, Messiah, Mass in C minor, and Dixit Dominus. Currently, Henna has a full scholarship and is a Basil Coleman Opera Award holder, supported by the Midori Nishiura Scholarship. She is also supported by the Josephine Baker Trust and the Drake Calleja Trust.
Korean Soprano Celine Mun is a graduate of Yonsei University and the mdw (University of Music and performing Arts Vienna), where she made her debut as Musetta in La Bohème, Susanna in Le Nozze di Figaro,and Zerbinetta in Ariadne auf Naxos. She pursued her master’s degree in vocal studies with Krassmira Stoyanova and Daniela Fally. Celine has had success in a number of competitions, including Third Prize at the Lyrical Competition Salvatore Licitra (Miilan) and the International Singing Competition IMMLING (Germany). She also trained at the Hannover Staatsoper, where she performed in several opera gala concerts.
Sofie Lund has already taken part in many big productions such as Amadeus, directed by Kasper Holten, and Monteverdi’s Orfeo, both at the Royal Danish Opera. She has a preference for the contemporary repertoire, and has performed music by Hans Werner Henze, Thomas Adès and the Danish composer Ib Nørholm. In 2021, she made her debut at Den Ny Opera (Esbjerg), performing the role of Nanetta in Falstaff. In 2022, she performs Waldvogel in Siegfried at Den Ny Opera, and Death in the world premiere of the Manual composed by Louise Alenius, at The Royal Danish Opera. Sofie received her Artist Diploma from the Opera programme of the Royal College of Music (London).
Emma Jüngling is Laureate of the Friedl Wald Prize 2016, of the Geneva Richard Wagner Bursary in 2017 and of the Alice Gamble Prize (London) in 2019. She graduated from the Royal Academy of Music in London in 2020 with a distinction as well as a DipRam for outstanding final recital. She currently studies with Cathy Pope. Emma previously studied at the Haute École de Musique de Lausanne with Hiroko Kawamichi. Since 2016, she has been a member of the Opéra de Lausanne chorus in Switzerland. She was also a soloist in their Children Workshop for two seasons. Her first role on stage was Tituba in Robert Ward’s The Crucible at the Berlin Opera Academy, thanks to the Lorna White prize. Emma has enjoyed being a chorus member at the Grange Opera Festival and at the Wexford Opera Festival both in 2021.
After having been a member of the Opera Studio of the Opéra de Lyon, where she sang, among others, the Fire, the Princess and the Nightingale in L’Enfant et les Sortilèges, and of the Académie Jaroussky, Margot Genet is now part of the Opernstudio NRW (cooperation of the opera houses of Dortmund, Essen, Gelsenkirchen and Wuppertal). Originally from Limoges, she started playing the cello before studying opera at the Haute école de musique in Geneva and then at the UdK (Berlin University of the Arts) in Berlin. She has taken part in masterclasses with Hedwig Fassbender, Elène Golgevit and Ludovic Tézier. Margot is a laureate of the Royaumont Foundation, where she will appear in Handel’s Agrippina (Poppea) in 2021. She sang Poussette in Manon in concert at the Opéra de Lyon and the Théâtre des Champs-Elysées, and was awarded the ‘Malvina and Denise Menda’ grant by the Opéra Comique. Since 2016, the duo she forms with pianist Justine Eckhaut has been performing throughout Europe.
Canadian mezzo-soprano Kady Evanyshyn is a member of the International Opera Studio at Staatsoper Hamburg, where her roles include Zweite Dame (Die Zauberflöte), 2. Magd (Elektra), Kate Pinkerton (Madama Butterfly), Laura (Luisa Miller), and Glascha (Katja Kabanova). A 2020 participant of Renée Fleming’s SongStudio at Carnegie Hall, Kady’s broad repertoire ranges from the music of Purcell and Rameau to numerous world premieres. Her recent concert performances include: J.S. Bach’s Ich habe genug, conducted by Simone Dinnerstein, Luciano Berio’s Folk Songs, conducted by Jeffrey Milarsky, and the world premiere of Stefano Gervasoni’s Drei Grabschriften for mezzo-soprano and piano. Kady is an alumnus of the Aspen Music Festival, Music Academy of the West, and Houston Grand Opera’s Young Artist Vocal Academy, and has received prizes from the Gerda Lissner Foundation and the Winnipeg Music Festival. She earned her bachelor’s and master’s degrees from The Juilliard School, where she studied with Edith Wiens.
Katrine Deleuran holds a Master of Performance from the Royal College of Music (London). She is currently studying with Rosa Mannion and Caroline Dowdle. Katrine also has two Bachelor degrees, one from The Royal Danish Academy of Music and one from the University of Copenhagen in Musicology and Gender Studies. She sang her Danish debut last year at Soeholm Opera in the role of Nedda (Pagliacci). Together with her duo partner Aleksandra Myslek, Katrine is a Leeds Lieder 2022 Young Artist. After participating in the Verbier Festival Academy’s Atelier Lyrique this summer, she will travel to Germany to sing the role of Gertrud (Hänsel und Gretel) for the third time in 2022 and to study the part of Rosalinde (Die Fledermaus) at Berlin Opera Festival as a Young Artist.
Michèle Bréant has been a soloist at the Théâtre du Châtelet (The Sound of Music, Sweeney Todd, Mozart l’Egyptien, Street Scene with Emilio Sagi), Théâtre des Champs Elysées (A Midsummer Night’s Dream), and the Monnaie de Bruxelles (Amour in Orphée et Eurydice). In 2015 she was soloist in Mahler’s Das klagende Lied at the Philharmonie de Paris with Jaap van Zweden. She is studying at the Felix Mendelssohn College Leipzig in the class of Carola Guber and with Regina Werner. Last summer, she sang the lead role in Hasse’s opera La serva Scaltra, in a production by La petite Bande Academy. Michèle has taken part in the Trossingen Lied Academy, and was a finalist of the 2020 Bundeswettbewerb (Oper Berlin), and the Concours Opéra Grand Avignon (2021).